Each piece in the collection manipulates reflection with exacting subtlety, inviting viewers to confront their own image through a playful yet profound lens. The distortions, reminiscent of the mischievous charm of Hall of Mirrors, challenge individuals to reconcile amusement with the unsettling nature of distorted perceptions, encapsulating the duality of joy and reflection. Fredrikson Stallard harness this dichotomy, positioning their works as vessels that highlight the absurdity of striving for perfection while simultaneously acknowledging the inherent flaws that define human experience.

“Our work sits at the intersection of art and utility, history and modernity, self-awareness and playful escapism. The folded surfaces with Tomorrow transform the act of observation into a discourse between the observer and the observed, a refracted exploration of how we see ourselves and the world around us. We feel this to be a thoroughly timeless question yet interpreted in an entirely contemporary and relevant way, that is rooted in the world today and looking where we might end up in the future.”

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